"Concerto pour piano No. 2 en Do mineur, Op. 18: I. Moderato - extraits" by Jennifer Fichet, Harry Allouche was released on December 21, 2018. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 15 in Au bout des doigts (Bande originale du film) by Harry Allouche. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Concerto pour piano No. 2 en Do mineur, Op. 18: I. Moderato - extraits is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto pour piano No. 2 en Do mineur, Op. 18: I. Moderato - extraits by Jennifer Fichet, Harry Allouche is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights | Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 102 BPM | ||
Délicieux | Christophe Julien | G Major | 1 | 9B | 117 BPM | ||
Suite española, Op.47: Asturias (Leyenda) | Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz | B♭ Minor | 1 | 3A | 136 BPM | ||
Symphony No. 2 "Under the Trees' Voices": V. Finale, presto, Between men and trees - Live | Ezio Bosso, Orchestra Filarmonica '900 del teatro Regio di Torino | A♭ Major | 8 | 4B | 101 BPM | ||
Le temps qui passe | Grégoire Hetzel | D♭ Major | 2 | 3B | 126 BPM | ||
Les Confidences d'Assane | Mathieu Lamboley | A♭ Major | 2 | 4B | 137 BPM | ||
Liszt: Grandes études de Paganini, S. 141: No. 3, La Campanella | Franz Liszt, Paul Ji | A♭ Minor | 3 | 1A | 96 BPM | ||
Barry Lyndon: Sarabande | Royal Philharmonic Orchestra | F Minor | 2 | 4A | 149 BPM | ||
Four Sketches, Op. 15: IV. Fireflies | Amy Beach, Jennifer Fichet | A Minor | 3 | 8A | 72 BPM | ||
Piano Concerto No. 23 in A, K. 488: II. Adagio | Wolfgang Amadeus Mozart, François-Xavier Roth, Les Siècles, Vanessa Wagner | D Major | 0 | 10B | 128 BPM |