"Suite española, Op.47: Asturias (Leyenda)" by Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz was released on January 1, 1994. Since Suite española, Op.47: Asturias (Leyenda) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 14 in Albeniz: Iberia and Suite espanola by Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Suite española, Op.47: Asturias (Leyenda)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite española, Op.47: Asturias (Leyenda) by Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Moldau (From Má Vlast), JB 1:112 - Version 1960 | Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay | E Minor | 2 | 9A | 85 BPM | ||
Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
Suite Pastorale: I. Idylle | Emmanuel Chabrier, Yan Pascal Tortelier, Ulster Orchestra | F Major | 1 | 7B | 98 BPM | ||
Coppelia Ballet Suite: Music of the Automata and Waltz | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 1 | 12B | 122 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Les filles de Cadix | Léo Delibes, Sol Gabetta, Charles Olivieri-Munroe | F♯ Minor | 1 | 11A | 80 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Iberia "Suite pour orchestre": No. 3, Triana | Isaac Albéniz, Enrique Fernández Arbós, Orquesta De Valencia, Manuel Galduf, Enrique Perez de Guzman | F♯ Minor | 1 | 11A | 97 BPM |