"Te Deum, H. 146: IV. Per te orbem terrarum" by Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie was released on April 27, 1989. The duration of Te Deum, H. 146: IV. Per te orbem terrarum is about 3 minutes long, at 3:22. Based on our data, "Te Deum, H. 146: IV. Per te orbem terrarum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. The popularity of Te Deum, H. 146: IV. Per te orbem terrarum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: IV. Per te orbem terrarum by Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie is Presto (very, very fast), since this song has a tempo of 180 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Dixit Dominus, HWV 232: Judicabit in nationibus | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 4 | 12B | 100 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) | Henry Purcell, William Christie, Les Arts Florissants | F♯ Minor | 0 | 11A | 136 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 3 - Scène 4: "L'habitants des bords de la Seine" (Alvar, Damon, Zima) - "C'est l'amant..." (Zima,Damon, Alvar, Adario) | Jean-Philippe Rameau, Bernard Deletré, Howard Crook, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 73 BPM | ||
Purcell : Dido & Aeneas : Act I "Grief increases by concealing" [Belinda, Dido] "When monarchs unite, how happy their state" [Chorus] | Henry Purcell, William Christie, Les Arts Florissants | F♯ Minor | 2 | 11A | 74 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM |