"Magische Töne (Die Königen von Saba, Act II)" by Karl Goldmark, Leo Slezak was released on February 2, 2009. The duration of Magische Töne (Die Königen von Saba, Act II) is about 3 minutes long, at 3:12. Based on our data, "Magische Töne (Die Königen von Saba, Act II)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 215 in the song's album "The Record of Singing 1899-1952". In this album, this song's track order is #20. Magische Töne (Die Königen von Saba, Act II) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magische Töne (Die Königen von Saba, Act II) by Karl Goldmark, Leo Slezak having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 67 BPM | ||
String Quartet in B-Flat Major, Op. 8: I. Andante - Allegro moderato | Karl Goldmark, The Haydn Quartet | B♭ Major | 2 | 6B | 140 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Symphony No.4 in A (Italian): Second Movement (Pilgrim's March) | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Stille Musik: 2. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM |