"Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: I. Sonata" by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell was released on March 1, 2024. The duration of Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: I. Sonata is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: I. Sonata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: I. Sonata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 9 in A Minor “The Carrying of the Cross”: I. Sonata by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Viola da Gamba Suite in D Major: III. Vivace | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 103 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: III. Largo | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 202 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM |