"Ravel: Boléro, M. 81 (Excerpt)" by Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande was released on December 10, 2010. With this song being about 5 minutes long, at 5:09, "Ravel: Boléro, M. 81 (Excerpt)" by Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Classical Classics, so we believe that "Ravel: Boléro, M. 81 (Excerpt)" is a single. Ravel: Boléro, M. 81 (Excerpt) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ravel: Boléro, M. 81 (Excerpt) by Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlesienne - Prelude | Czech Philharmonic Orchestra | C Minor | 1 | 5A | 130 BPM | ||
El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
Piano Concerto For The Left Hand In D, M. 82: 2. Allegro | Maurice Ravel, Jean-Yves Thibaudet, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 95 BPM | ||
Prince Igor: Polovtsian Dances | Alexander Borodin, Choeur Des Jeunes, Lausanne, Choeur De Radio, Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | D Major | 1 | 10B | 90 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
La urraca ladrona | Orquesta de la asociacion de conciertos de Berlin, Rene Leibowitz | B♭ Major | 1 | 6B | 135 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Adagio for Organ & Strings G Minor | Tomaso Albinoni, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | C Major | 4 | 8B | 115 BPM | ||
Violinromanze Nr. 2 F-Dur, Op. 50: Romance No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Uto Ughi, Solisti Veneti, I, Claudio Scimone | F Major | 2 | 7B | 186 BPM |