Arthur Sullivan, Richard Lewis/James Milligan/John Cameron/Owen Brannigan/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's 'HMS Pinafore (or, The Lass that Loved a Sailor), Act I: A British tar is a soaring soul (Ralph, Boatswain, Boatswain's Mate, Sailors)' came out on June 13, 2011. The duration of HMS Pinafore (or, The Lass that Loved a Sailor), Act I: A British tar is a soaring soul (Ralph, Boatswain, Boatswain's Mate, Sailors) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: A British tar is a soaring soul (Ralph, Boatswain, Boatswain's Mate, Sailors)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, Various Artists, Sir Malcolm Sargent's "Gilbert & Sullivan: HMS Pinafore" album is number 15 out of 49. In terms of popularity, HMS Pinafore (or, The Lass that Loved a Sailor), Act I: A British tar is a soaring soul (Ralph, Boatswain, Boatswain's Mate, Sailors) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of HMS Pinafore (or, The Lass that Loved a Sailor), Act I: A British tar is a soaring soul (Ralph, Boatswain, Boatswain's Mate, Sailors) by Arthur Sullivan, Richard Lewis/James Milligan/John Cameron/Owen Brannigan/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruddigore: Opening: "Fair is Rose" | Ohio Light Opera | A♭ Major | 0 | 4B | 114 BPM | ||
Ode an den Döner Kebap | Kroketten Kaiser, Leopold Alarich Silvius | G Minor | 1 | 6A | 105 BPM | ||
What Is the Love That Dare Not Speak It's Name? | Debbie Wiseman, Arthur Sullivan | F Major | 1 | 7B | 92 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Les bergers laissent leurs troupeaux" (Chorus, Faust) | Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg | E Minor | 1 | 9A | 79 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 131 BPM | ||
H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Non aucun hôte vraiment (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 3 | 11B | 98 BPM | ||
Don Pasquale / Act I: Bella siccome un angelo | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | D♭ Major | 1 | 3B | 74 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM |