"Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga" by Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz was released on February 3, 2015. Since Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz's "Hovhaness: Works for Orchestra & Soprano Saxophone" album is number 2 out of 8. Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga by Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, Op. 157: Celestial Fanfare | Alan Hovhaness, Eric Plutz, St. John's Cathedral Choir, St. John's Boys and Girls Choir, St. John's Cathedral Festival Orchestra, Donald Pearson | G Minor | 0 | 6A | 105 BPM | ||
2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 76 BPM | ||
Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | ||
Make A Joyful Noise: Save Me, O God | Alan Hovhaness, Benedict Young, Mark Albro, Rosemary Ingwersen, James Jordan, James Pfeiffer, Elizabeth C. Patterson, Gloriae Dei Cantores | D Major | 1 | 10B | 123 BPM |