"Requiem: Agnus Dei - Lux Aeterna" by Elinor Remick Warren, Marina Sandel, Polskiego Radia i Telewizji, Chóru Polskiego Radia i Telewizji, Szymon Kawalla was released on January 13, 2015. Since Requiem: Agnus Dei - Lux Aeterna is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Elinor Remick Warren: Requiem by Elinor Remick Warren, Chóru Polskiego Radia i Telewizji, Szymon Kawalla. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Requiem: Agnus Dei - Lux Aeterna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: Agnus Dei - Lux Aeterna by Elinor Remick Warren, Marina Sandel, Polskiego Radia i Telewizji, Chóru Polskiego Radia i Telewizji, Szymon Kawalla is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Quintet in E-Flat Major, Op. 10, No. 3, Ben. 282: I. Adagio | Ignaz Pleyel, Orsolya Kaczander, Lajos Lencsés, Vilmos Szabadi, Péter Bársony, Péter Szabó | G Major | 1 | 9B | 78 BPM | ||
Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM | ||
Concerto pour hautbois: Larghetto | Domenico Cimarosa, A. Benjamin, Orchestre Paul Kuentz, Chantal Perrier-Layec, Monique Frasca-Colombier, Régis Manceau, Gildas Prado | C Minor | 1 | 5A | 67 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
String Quartet No. 37 B Minor, Op. 33 No. 1 Hob. III:37: I. Allegro Moderato - Arr. For saxophone quartet by SIGNUM saxophone Quartet | Joseph Haydn, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Peter Katin | G Major | 1 | 9B | 132 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Concerto No. 2 in C Minor, Op. 18: Moderato; Allegro | Sergei Rachmaninoff, Leopold Stokowski | F Minor | 1 | 4A | 99 BPM |