"Grande messe des morts, Op. 5 "Requiem": II. Dies irae" by Hector Berlioz, André Previn, London Philharmonic Orchestra was released on June 5, 2021. Grande messe des morts, Op. 5 "Requiem": II. Dies irae appears to be safe for all ages as it is not explicit. The song is number 28 out of 30 in French Romantic Composers by Various Artists. In terms of popularity, Grande messe des morts, Op. 5 "Requiem": II. Dies irae is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grande messe des morts, Op. 5 "Requiem": II. Dies irae by Hector Berlioz, André Previn, London Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: Introduction - Combats, tumulte, intervention du Prince | Hector Berlioz, Riccardo Muti, Philadelphia Orchestra | B Minor | 1 | 10A | 94 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20: IV. Presto | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
The Damnation of Faust, Op. 24, H. 111: Chanson de Brander 'Certain rat, dans une cuisine' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, Jonathan Lemalu | D♭ Major | 1 | 3B | 118 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM |