Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot's 'Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante]' came out on February 3, 2017. With Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante] being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 30 in Dietrich Buxtehude: Sonates en trio – Manuscrits d’Uppsala by La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner, Emily Audouin. In terms of popularity, Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante] by Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: II. Allegro maestoso | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 134 BPM | ||
Sonata and Suite in E Minor: Allmandt - Courant - Sarabanda - Giguae | Dietrich Becker, Parnassi Musici | E♭ Minor | 0 | 2A | 117 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata and Suite in E Minor: Sonata | Dietrich Becker, Parnassi Musici | E♭ Minor | 1 | 2A | 134 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Cello Sonata No. 1 in D Minor: I. Largo | Alessandro Scarlatti, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 82 BPM |