Anton Paul Stadler, Colin Lawson, Michael Harris, Timothy Lines's 'Five Terzetti for 3 basset horns: No.2 Adagio' had a release date set for January 1, 2002. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Five Terzetti for 3 basset horns: No.2 Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Colin Lawson, Michael Harris, Timothy Lines's "Mozart & Stadler: Basset Horn Divertimenti" album is number 7 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Five Terzetti for 3 basset horns: No.2 Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Five Terzetti for 3 basset horns: No.2 Adagio by Anton Paul Stadler, Colin Lawson, Michael Harris, Timothy Lines to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Major | 2 | 8B | 114 BPM | ||
Sonata in G Minor for Violin & Fortepiano, Op. 1a, G.078: II. Rondo gracioso | Joseph Boulogne Chevalier de Saint-Georges, Andrew McIntosh, Steven Vanhauwaert | G Major | 2 | 9B | 102 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | C Major | 0 | 8B | 101 BPM | ||
Guitar Quartet No. 13 in F Major, MS 40: II. Minuetto. Allegretto | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
Concerto n°3 en Fa majeur, RV 293 "L'automne", Troisième mouvement: Allegro | Antonio Vivaldi, Manoug Parikian, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 97 BPM | ||
Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 149 BPM | ||
The Marriage of Figaro: Overture | Michael Maxwell | D Major | 2 | 10B | 137 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VI. Progrès | Franz Burgmüller, Benedikt David | C Major | 3 | 8B | 129 BPM |