Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering made "The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel]" available on April 1, 2005. With The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering's "Haydn: Die Schöpfung" album is number 5 out of 32. In terms of popularity, The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] by Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Winter: "Knurre, schnurre, knurre" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Marlis Petersen | C Major | 2 | 8B | 84 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VIII. Sento dire no' nce pace (Andante) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Orlando, HWV 31 / Act 1: No. 16 Terzetto "Consolati, o bella" | George Frideric Handel, Sophie Karthäuser, Sunhae Im, Kristina Hammarstrom, B'Rock Orchestra, René Jacobs | F♯ Major | 3 | 2B | 83 BPM | ||
Overture in G Major, Op. 8, No. 5: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 2 | 9B | 68 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène 5: "Chantons l'éclatante victoire" (Chœur de Spartiates) | Jean-Philippe Rameau, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Didone abbandonata, WeiO 150: Giusti numi che il ciel reggete | Niccolò Jommelli, Sunhae Im, teatro del mondo, Andreas Küppers | F♯ Major | 2 | 2B | 132 BPM | ||
Te Deum in D Major, MH 829: II. Largo | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | G Major | 1 | 9B | 67 BPM | ||
Serenade No. 1 in D Major, Op. 11: I. Allegro molto | Johannes Brahms, Capella Augustina, Andreas Spering | D Major | 0 | 10B | 168 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM |