"12 Etudes, Op. 10: No. 3 in E Major "Tristesse"" by Frédéric Chopin, Tamás Vásáry was released on January 1, 1988. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frédéric Chopin, Vladimir Ashkenazy, Christoph Eschenbach's "In mir klingt ein Lied... Die schönsten Klavierstücke von Frédéric Chopin" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 12 Etudes, Op. 10: No. 3 in E Major "Tristesse"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes, Op. 10: No. 3 in E Major "Tristesse" by Frédéric Chopin, Tamás Vásáry to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | Frédéric Chopin, Martha Argerich | D Major | 7 | 10B | 172 BPM | ||
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Polonaise No. 15 in B-Flat Minor, "Adieu" | Frédéric Chopin, Eugene Mursky | B♭ Minor | 0 | 3A | 69 BPM | ||
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Lyric Pieces Book I, Op. 12: 1. Arietta | Edvard Grieg, Andrei Gavrilov | B♭ Major | 0 | 6B | 72 BPM | ||
Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude | Johann Sebastian Bach, Wilhelm Kempff | C Major | 1 | 8B | 102 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Romance In B Flat Major, Op. 28 : Romance | Gabriel Fauré, Pascal Devoyon, Dong-Suk Kang | A Major | 2 | 11B | 89 BPM |