"Piano Sonata No. 2, "Concord, Mass., 1840–1860": II. Hawthorne" by Charles Ives, Donald Berman was released on May 3, 2024. Piano Sonata No. 2, "Concord, Mass., 1840–1860": II. Hawthorne appears to be safe for all ages as it is not explicit. The track order of this song in Charles Ives, Donald Berman's "Ives: Piano Sonata No. 2 “Concord, Mass., 1840–1860” • The St. Gaudens (“Black March”)" album is number 3 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Piano Sonata No. 2, "Concord, Mass., 1840–1860": II. Hawthorne is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 2, "Concord, Mass., 1840–1860": II. Hawthorne by Charles Ives, Donald Berman to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM | ||
Piano Sonata No. 2, "Concord, Mass., 1840–1860": I. Emerson | Charles Ives, Donald Berman | G Major | 1 | 9B | 94 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
The Ring - An Orchestral Adventure, arranged by Henk de Vlieger: I. Vorspiel | Richard Wagner, Kristjan Järvi | E♭ Major | 0 | 5B | 95 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Sonata for Violin and Piano No.2: 2. In the Barn. Presto - Allegro moderato | Charles Ives, Hilary Hahn, Valentina Lisitsa | C Major | 2 | 8B | 136 BPM |