"Piano Sonata No. 2, "Concord, Mass., 1840–1860": I. Emerson" by Charles Ives, Donald Berman was released on May 3, 2024. Piano Sonata No. 2, "Concord, Mass., 1840–1860": I. Emerson appears to be safe for all ages as it is not explicit. The track order of this song in Charles Ives, Donald Berman's "Ives: Piano Sonata No. 2 “Concord, Mass., 1840–1860” • The St. Gaudens (“Black March”)" album is number 2 out of 5. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Piano Sonata No. 2, "Concord, Mass., 1840–1860": I. Emerson is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 2, "Concord, Mass., 1840–1860": I. Emerson by Charles Ives, Donald Berman to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enthusiasm for Flute and Viola | Paul Hindemith, Stathis Karapanos, David Aaron Carpenter | G Major | 0 | 9B | 113 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Nocturnes, L.91: II. Fêtes | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 72 BPM | ||
Brahms: Symphony No. 1 in C Minor, Op. 68: I. (a) Un poco sostenuto | Johannes Brahms, Wolfgang Sawallisch, London Philharmonic Orchestra | D Major | 1 | 10B | 94 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Concerto for Piano and Orchestra, Op. 42: I. Andante | Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre Boulez | C Major | 2 | 8B | 180 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Six Bagatelles For Wind Quintet (1953): 1. Allegro con spirito | György Ligeti, Jacques Zoon, Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Claudio Abbado | D Major | 1 | 10B | 96 BPM |