"Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1" by Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop was released on September 9, 2003. Since Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Bernstein: Chichester Psalms & On the Waterfront by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1 by Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | ||
Variation 2: Piu vivace | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Minor | 0 | 3A | 130 BPM | ||
Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Mass In C Minor, K.427 "Grosse Messe" - Version By Franz Beyer: Gloria: Gloria in excelsis Deo - Live | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | C Major | 2 | 8B | 125 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Paul Tortelier, Bournemouth Symphony Orchestra, Paavo Berglund | F Minor | 2 | 4A | 122 BPM | ||
Three Songs Of Faith: Hope Faith Life Love | Eric Whitacre, Eric Whitacre Singers | B♭ Major | 1 | 6B | 177 BPM | ||
Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM |