"Serenade: I. Phaedrus - Pausanias: Lento - Allegro" by Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop was released on November 15, 2005. Since Serenade: I. Phaedrus - Pausanias: Lento - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 14 in Bernstein: Serenade / Facsimile / Divertimento by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Serenade: I. Phaedrus - Pausanias: Lento - Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade: I. Phaedrus - Pausanias: Lento - Allegro by Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
On the Town: III. Times Square: 1944 | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 109 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
A Quiet Place, Act III: Hmm. Bye Bye - Live | Leonard Bernstein, Beverly Morgan, Wendy White, Peter Kazaras, John Brandstetter, Chester Ludgin, Vienna Radio Symphony Orchestra | D♭ Major | 2 | 3B | 73 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Mambo (From "West Side Story") [With Concert Ending] | Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | C Major | 7 | 8B | 131 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM |