Grażyna Bacewicz, Łukasz Borowicz, WDR Sinfonieorchester's 'Symphony No. 2: IV. 04 Scherzo. Vivo' came out on December 5, 2023. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Grażyna Bacewicz, Łukasz Borowicz, WDR Sinfonieorchester's "Grażyna Bacewicz: Complete Orchestral Works Vol. 2" album is number 4 out of 9. On top of that, Germany appears to be the country where this track was created. Symphony No. 2: IV. 04 Scherzo. Vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2: IV. 04 Scherzo. Vivo by Grażyna Bacewicz, Łukasz Borowicz, WDR Sinfonieorchester to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egyptian Nights, Op. 50: Charmeuse des serpents | Anton Arensky, Les Siècles, François-Xavier Roth | A♭ Major | 1 | 4B | 76 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Piano Concerto: III. Molto allegro | Grażyna Bacewicz, Nicholas Collon, Peter Jablonski, Finnish Radio Symphony Orchestra | A Minor | 4 | 8A | 106 BPM | ||
5 Pieces: No. 1. Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': I. Andante. Con moto. Allegro | Leoš Janáček, Jerusalem Quartet | A♭ Major | 1 | 4B | 79 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Concerto No. 1 pour violon et orchestre: I. Allegro | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 2 | 9B | 116 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |