Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada's 'Carmen Fantasy, Op. 25: II. Lento assai' came out on October 7, 2022. The duration of Carmen Fantasy, Op. 25: II. Lento assai is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: II. Lento assai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 19 in Eclipse by Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada, Alberto Ginastera, Antonín Dvořák, Pablo de Sarasate. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Carmen Fantasy, Op. 25: II. Lento assai's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Carmen Fantasy, Op. 25: II. Lento assai by Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 94 BPM | ||
Spohr: Symphonie Concertante for Violin, Harp and Orchestra in G Major, WoO 13 - II. Adagio | Louis Spohr, María Dueñas, Volker Kempf, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 92 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Major | 1 | 8B | 85 BPM | ||
Farewell | David Del Tredici, Hilary Hahn, Cory Smythe | D Major | 1 | 10B | 81 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: I. Moderato | Sergei Prokofiev, Emmanuel Pahud | A Major | 1 | 11B | 86 BPM |