"Roméo et Juliette, CG 9: "Ah! lève-toi, soleil!"" by Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume was released on November 8, 2019. The duration of Roméo et Juliette, CG 9: "Ah! lève-toi, soleil!" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Roméo et Juliette, CG 9: "Ah! lève-toi, soleil!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 22 in Benjamin Bernheim by Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume. In terms of popularity, Roméo et Juliette, CG 9: "Ah! lève-toi, soleil!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roméo et Juliette, CG 9: "Ah! lève-toi, soleil!" by Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, WD 13, Act I: C'est toi qu'enfin je revois! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Minor | 1 | 3A | 92 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
L'orsque j'etais enfant | André Messager, Anna Netrebko | C Minor | 1 | 5A | 135 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Ave Maria, CG 89a | Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds | G Major | 2 | 9B | 85 BPM | ||
Don Carlos: Le voilà! ... Toi, mon Rodrigue | Giuseppe Verdi, Benjamin Bernheim, Florian Sempey, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | A Major | 2 | 11B | 129 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |