Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly made "La Cenerentola / Act 1: "No, no, no non v'è"" available on January 1, 1993. With La Cenerentola / Act 1: "No, no, no non v'è" being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. La Cenerentola / Act 1: "No, no, no non v'è" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 1: "No, no, no non v'è" by Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Carmen, Act II: No.15 Quintette : Nous avons en tête une affaire (Le Dancaïro/Frasquita/Mercédès/Le Remendado/Carmen) | Georges Bizet, Nicolas Rivenq, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
La Bohème / Act 4: "In un Coupé?....O Mimi, tu piu non torni" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | C Major | 2 | 8B | 171 BPM | ||
Verdi: Aida, Act 1:" Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè! ... Caro nome" | Giuseppe Verdi, Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 6 | 2B | 83 BPM | ||
Tolomeo, re d'Egitto, HWV 25: Stille Amare | George Frideric Handel, Gloria Banditelli, Europa Galante, Fabio Biondi | A Minor | 0 | 8A | 128 BPM |