"Sicut Cervus" by Giovanni Pierluigi da Palestrina, Benedictines of Mary, Queen of Apostles was released on March 3, 2015. The duration of Sicut Cervus is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Sicut Cervus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 27 in Easter At Ephesus by Benedictines of Mary, Queen of Apostles. In terms of popularity, Sicut Cervus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sicut Cervus by Giovanni Pierluigi da Palestrina, Benedictines of Mary, Queen of Apostles is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Sicut Cervus (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | D Major | 2 | 10B | 80 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Laudans exultet gaudio per doppio coro, strumenti e b. c. (Giovanni Croce 1605) | Giovanni Croce, Valvasensi Cantores et Musici, Gruppo Corale San Giovanni, Domenico Innominato, La Chambree du Roy Renée, Marco Rossi | F Major | 1 | 7B | 116 BPM | ||
Garrit Gallus flendo dolorose - In nova fert animus - Neuma (Motette) | Philippe de Vitry, Sequentia | G Major | 1 | 9B | 184 BPM | ||
De Beata Marie [Virginis] I: Gloria | Giovanni Pierluigi da Palestrina, Michel Van Goethem, Renzo Bez, Vincenzo di Donato, Furio Zanasi, Alessandro Carmignani, Sergio Foresti, Liuwe Tamminga, Sergio Vartolo | G Major | 1 | 9B | 86 BPM | ||
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM | ||
Pueri Hebraeorum in F Major, IGP 78 | Giovanni Pierluigi da Palestrina, Pro Musica, Szabó Dénes | G Major | 1 | 9B | 89 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM |