"Lemba : Concerto No.1 in G major for Piano and Symphony Orchestra : II Andante con espressione" by Artur Lemba, Lauri Väinmaa, Estonian National Symphony Orchestra, Arvo Volmer was released on 2011. Since Lemba : Concerto No.1 in G major for Piano and Symphony Orchestra : II Andante con espressione is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Estonian Piano Concertos / Lemba - Tubin - Sumera by Lauri Väinmaa, Estonian National Symphony Orchestra, Arvo Volmer. Lemba : Concerto No.1 in G major for Piano and Symphony Orchestra : II Andante con espressione is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lemba : Concerto No.1 in G major for Piano and Symphony Orchestra : II Andante con espressione by Artur Lemba, Lauri Väinmaa, Estonian National Symphony Orchestra, Arvo Volmer is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Strings: III. Largo | George Lloyd, Cristina Anghelescu, Philharmonia Orchestra, David Parry | F Major | 1 | 7B | 86 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: Overture - "Help, Lord" - "The deep affords no water!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 79 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1891 Vienna Version, Ed. G. Brosche): II. Adagio | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | C Minor | 1 | 5A | 131 BPM |