"Piano Concerto No.2 in D Minor, Op.40, MWV O11: 2. Adagio. Molto sostenuto" by Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit was released on January 1, 1983. Piano Concerto No.2 in D Minor, Op.40, MWV O11: 2. Adagio. Molto sostenuto is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit's "Mendelssohn: Piano Concertos Nos.1 & 2" album is number 5 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Piano Concerto No.2 in D Minor, Op.40, MWV O11: 2. Adagio. Molto sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No.2 in D Minor, Op.40, MWV O11: 2. Adagio. Molto sostenuto by Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 3. Presto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 2 | 6A | 102 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 2. Con moto (quasi Allegro vivo) | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | D Minor | 4 | 7A | 143 BPM | ||
Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | A Minor | 0 | 8A | 77 BPM | ||
Symphony No. 9 in D Minor, WAB 109: 2. Scherzo (Bewegt lebhaft) - Trio (Schnell) - Scherzo da capo | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum | F♯ Minor | 3 | 11A | 108 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": 2. Andante | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | D Major | 1 | 10B | 72 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Scherzo a capriccio in F-Sharp Minor | Felix Mendelssohn, Benjamin Frith | F♯ Minor | 1 | 11A | 96 BPM |