Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum made "Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 2. Con moto (quasi Allegro vivo)" available on January 1, 2005. With Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 2. Con moto (quasi Allegro vivo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Karl Höller, Eugen Jochum's "Höller: Symphonic Fantasy; Sweelinck Variations" album is number 7 out of 16. Based on our statistics, Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 2. Con moto (quasi Allegro vivo)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 2. Con moto (quasi Allegro vivo) by Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E Minor Op. 64: 3. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Ken-Ichiro Kobayashi, Kobaken And His Friends Orchestra | A Major | 1 | 11B | 135 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Triptychon for Organ, Op. 64 “Victimae paschali laudes”: II. Ricercar “Dic nobis, Maria” | Karl Höller, Barbara Harbach | A♭ Major | 1 | 4B | 84 BPM | ||
Miklos Rozsa: Hungarian Serenade - V. Danza - HD | Miklós Rózsa, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl | D Major | 2 | 10B | 97 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Serenade in G Major (original version): II. Air: Lento, ma non troppo | Ernest John Moeran, Ulster Orchestra, Joann Falletta | E Minor | 0 | 9A | 110 BPM |