Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav." available on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. is about 3 minutes long, at 3:03. Based on our data, "Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) | Johann Sebastian Bach, Lang Lang | C Minor | 0 | 5A | 117 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan (Arr. Naoumoff for Piano 4 Hands) | Camille Saint-Saëns, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": III. Allegro | Antonio Vivaldi, The English Concert, Trevor Pinnock | C Minor | 5 | 5A | 115 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : III Courante | Pablo Casals | G Major | 2 | 9B | 170 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Klavierstück in F Major, K. 33b | Wolfgang Amadeus Mozart, Lang Lang | D Major | 1 | 10B | 140 BPM |