George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel made "Music for The Royal Fireworks, HWV351: Bourrée" available on January 1, 1988. With Music for The Royal Fireworks, HWV351: Bourrée being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel's "Handel: Feuerwerksmusik - Wassermusik" album is number 2 out of 17. On top of that, Netherlands appears to be the country where this track was created. Music for The Royal Fireworks, HWV351: Bourrée is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Music for The Royal Fireworks, HWV351: Bourrée by George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Minuet | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 154 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | ||
Der Hummelflug (The Flight of the Bumble Bee) | Nikolai Rimsky-Korsakov, Irina Ossipova | D Minor | 3 | 7A | 88 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Horn Concerto No.2 in D, H.VIID No.4: 3. Allegro | Franz Joseph Haydn, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 155 BPM |