Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "18. Pray observe the magnanimity" available on January 1, 1968. With 18. Pray observe the magnanimity being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 4 out of 40. Based on our statistics, 18. Pray observe the magnanimity's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 18. Pray observe the magnanimity by Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shall We Dance? - 2023 DigiMIX Remaster | Valerie Masterson, Christopher Lee | E♭ Major | 7 | 5B | 114 BPM | ||
Così fan tutte, K. 588 / Act I: "Non siate ritrosi" | Wolfgang Amadeus Mozart, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
Macbeth / Act II: Aria: "La luce langue" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 1 | 1B | 81 BPM | ||
Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'Opera Comique | G Major | 3 | 9B | 84 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 150 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM | ||
My Lord, a Suppliant at Your Feet from "Iolanthe" | James Walker, Jean Allister, Royal Philharmonic Orchestra | F Major | 2 | 7B | 74 BPM | ||
Comes a Train of Little Ladies from "The Mikado" | James Walker, Royal Philharmonic Orchestra | G Major | 2 | 9B | 90 BPM | ||
Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM | ||
The Pirates of Penzance, Act I: Opening Chorus of Pirates and Solo. Pour, Oh Pour, the Pirate Sherry | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Nicholas Folwell | E♭ Major | 2 | 5B | 52 BPM |