Johann Nepomuk Hummel, Alexander Trostianski, Polina Osetinskaya, Russian Philharmonic Orchestra, Gregory Rose's 'Concerto for Piano and Violin in G Major, Op. 17: III. Rondo' came out on August 1, 2005. Since Concerto for Piano and Violin in G Major, Op. 17: III. Rondo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Nepomuk Hummel's "Hummel: Concerto for Piano and Violin, Op. 17 / Violin Concerto" album is number 3 out of 6. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto for Piano and Violin in G Major, Op. 17: III. Rondo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piano and Violin in G Major, Op. 17: III. Rondo by Johann Nepomuk Hummel, Alexander Trostianski, Polina Osetinskaya, Russian Philharmonic Orchestra, Gregory Rose to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto No. 1 in D Minor: II. Grazioso | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | C Major | 0 | 8B | 65 BPM | ||
Symphony No. 2 in C Major, Hob. I:2: I. Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | C Major | 1 | 8B | 121 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Sinfonia in D Major "Il giorno onomastico": I. Allegro, quasi presto | Antonio Salieri, Gavril Costea, Florin Ionoaia, Modest Cichirdan, Orchestre Philharmonique de Craiova | D Major | 1 | 10B | 97 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Overture in C Major in Italian Style, Op. 170, D. 591 | Franz Schubert, Stockholm Sinfonietta, Neeme Järvi | A♭ Major | 0 | 4B | 69 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Symphony No. 31, “Paris" – Allegro assai | Royal Philharmonic Orchestra | F Minor | 1 | 4A | 112 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): III. Minuetto con garbo | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | A Minor | 0 | 8A | 125 BPM | ||
Haydn: Symphony No. 88 in G Major, Hob. I:88: II. Largo | Joseph Haydn, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 125 BPM |