Simone Kermes made "Siroe, HWV 24: Act II - "Or mi perdo di speranza"" available on March 13, 2009. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 8 out of 14. Based on our statistics, Siroe, HWV 24: Act II - "Or mi perdo di speranza"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Siroe, HWV 24: Act II - "Or mi perdo di speranza" by Simone Kermes to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Pergolesi: Stabat Mater: V. Quis est homo | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | B Minor | 1 | 10A | 114 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
Cleofide: "Se mai più sarò geloso" | Johann Adolf Hasse, Simone Kermes, Vivica Genaux, Andrés Gabetta | D♭ Major | 2 | 3B | 83 BPM | ||
Se Non Dovesse Il Pie' - Aria Aggiunta/Insertion Aria/Einlagearie | Nicola Porpora, Simone Kermes, Claudio Osele | A Major | 1 | 11B | 147 BPM | ||
Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte | Anonymus, Simone Kermes, Max Emanuel Cenčić, Venice Baroque Orchestra, Andrea Marcon | E♭ Minor | 1 | 2A | 66 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM |