Guo Tai Gong, Shanghai Philharmonic Orchestra, Yong-ji Wang's 'Cuckoo Mountains: The Storm Plunges the Whole World Into Darkness' had a release date set for January 1, 1994. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Guo Tai Gong, Yong-ji Wang, Shanghai Philharmonic Orchestra's "Gong: Cuckoo Mountains - Beijing Opera Symphonic Suite" album is number 14 out of 17. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Cuckoo Mountains: The Storm Plunges the Whole World Into Darkness is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cuckoo Mountains: The Storm Plunges the Whole World Into Darkness by Guo Tai Gong, Shanghai Philharmonic Orchestra, Yong-ji Wang to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
Schwanengesang, D. 957 (Arr. for Flute & String Quintet by Anonymous) | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Waltz Of Bees | Hanne Diamond | F♯ Minor | 1 | 11A | 120 BPM | ||
Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
Shajiabang Will Be Liberated One Day | Guo Tai Gong, Shanghai Ballet Orchestra, Yong-ji Wang | D Minor | 1 | 7A | 82 BPM | ||
Sinfonía | Francisco Asenjo Barbieri, Filarmónica Beethoven Campo de Criptana, Juan José Fernández Olivares | E Minor | 4 | 9A | 83 BPM | ||
Beachcomber | Clive Richardson, RTE Concert Orchestra, Ernest Tomlinson | A Minor | 0 | 8A | 115 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
Tarantella - From "The Godfather" | Carmine Coppola | D♭ Major | 3 | 3B | 67 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM |