"Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy)" by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky was released on October 6, 2004. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #16. Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Hoe-Down | Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra | D Major | 3 | 10B | 114 BPM | ||
Hamlet Suite, Op. 116a (arr. L. Atovmyan): I. Introduction | Lev Atovmyan, Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Leonid Grin | B♭ Major | 5 | 6B | 110 BPM | ||
La fille mal gardée / Act 1: 16. Simone - 19. Storm and Finale | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 2 | 6A | 110 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): II. Scene at the River | Lev Atovmyan, Dmitri Shostakovich, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E♭ Minor | 0 | 2A | 134 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
Giselle: Act I: Waltz | Adolphe Adam, Slovak Radio Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 94 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM |