"Piano Concerto in A minor, Op.16: 2. Adagio" by Edvard Grieg, Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis was released on January 1, 2000. Since Piano Concerto in A minor, Op.16: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Edvard Grieg, Herbert von Karajan, Emil Gilels, Sir Colin Davis's "Grieg: Peer Gynt Suites; Holberg Suites; Piano Concerto" album is number 2 out of 34. Piano Concerto in A minor, Op.16: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in A minor, Op.16: 2. Adagio by Edvard Grieg, Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Serenade for String Orchestra in C Major, Op. 48: I. Pezzo in forma di Sonatina. Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | C Major | 3 | 8B | 112 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
14. Pavane. Andante Molto Moderato, Op. 50 | Gabriel Fauré, Philadelphia Orchestra, Eugene Ormandy | F♯ Minor | 0 | 11A | 129 BPM | ||
Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Dido and Aeneas, Z.626, The Opera, Act I: I. Overture | Henry Purcell, Academy of the Begynhof Amsterdan, Roderick Shaw | C Minor | 4 | 5A | 165 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Choral Prelude "Awake, The voice is Sounding" BWV.645 (Arr.Kempff) | Stanislav Bunin | E♭ Major | 1 | 5B | 121 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM |