Henry Purcell, Academy of the Begynhof Amsterdan, Roderick Shaw made "Dido and Aeneas, Z.626, The Opera, Act I: I. Overture" available on July 1, 1989. With Dido and Aeneas, Z.626, The Opera, Act I: I. Overture being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Purcell: Dido and Aeneas, Z.626". In this album, this song's track order is #10. The popularity of Dido and Aeneas, Z.626, The Opera, Act I: I. Overture is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dido and Aeneas, Z.626, The Opera, Act I: I. Overture by Henry Purcell, Academy of the Begynhof Amsterdan, Roderick Shaw having a テンポ of 165 with a half-time of 82 テンポ and a double-time of 330 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Shall Sing | Abel Korzeniowski | D Minor | 0 | 7A | 125 BPM | ||
Nocturne in C-Sharp Minor, Op. Posth. | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 73 BPM | ||
From Jewish Life, B. 55: I. Prayer | Ernest Bloch, Sol Gabetta | F Minor | 1 | 4A | 88 BPM | ||
The Song of Names for Violin and Cantor | Howard Shore, Ray Chen, Daniel Mutlu | A Minor | 1 | 8A | 89 BPM | ||
4 Impromptus Nr. 2 As-Dur D 935 | Kyoshi Sawami | A♭ Major | 1 | 4B | 82 BPM | ||
Invocation | William Lloyd Webber, Richard Hickox, City of London Sinfonia, Skaila Kanga | A Minor | 1 | 8A | 173 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Patrick Gallois, Fabrice Pierre, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | F Major | 0 | 7B | 94 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Jazz Suite No. 2: VII. Waltz | Dmitri Shostakovich, Brodsky Quartet, Philip Edward Fisher | E Major | 0 | 12B | 99 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM |