Arthur Sullivan, Emily Foxcroft, Ben Ivor, Amy Evans, Francis Ludlow, Bantock Pierpoint, Studio Chorus, Scots Guards, StudioConductor's 'The Yeomen of the Guard: Act I: I've jibe and joke' came out on August 2, 2011. The duration of The Yeomen of the Guard: Act I: I've jibe and joke is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Yeomen of the Guard: Act I: I've jibe and joke's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rare Early Recordings Gilbert & Sullivan (1907)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. The Yeomen of the Guard: Act I: I've jibe and joke is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Yeomen of the Guard: Act I: I've jibe and joke by Arthur Sullivan, Emily Foxcroft, Ben Ivor, Amy Evans, Francis Ludlow, Bantock Pierpoint, Studio Chorus, Scots Guards, StudioConductor having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let us garlands bring, Op. 18: It was a lover and his lass | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 1 | 11B | 138 BPM | ||
HMS Pinafore: We Sail the Ocean Blue | Alfie Boe, New D'Oyly Carte Opera, Simon Wilding, Stephen Davis | C Major | 3 | 8B | 104 BPM | ||
Soldiers of the Queen | Leslie Stuart, Lesley Stuart, Michael Halliwell, David Miller | E♭ Major | 1 | 5B | 118 BPM | ||
Requiem: 8. Lux aeterna & Libera me | Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | D Minor | 0 | 7A | 93 BPM | ||
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Hail the bride of seventeen summers (Chorus) | Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 68 BPM | ||
Verdi: Otello: Atto Secondo: Dove guardi splendono | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
Suor Angelica: Laudata Maria! E sempre sia! | Giacomo Puccini, Elizabeth Gale, Hannah Francis, Della Jones, Dame Joan Sutherland, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Puccini: Turandot, Act 2: "La mia vittoria" (Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 93 BPM |