"Symphony No. 8 in B Minor, D. 759 'Unfinished': II. Andante con moto" by Franz Schubert, Riccardo Muti, Wiener Philharmoniker was released on November 25, 2016. Symphony No. 8 in B Minor, D. 759 'Unfinished': II. Andante con moto is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 37 out of 50 in Classical Music for Work by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Symphony No. 8 in B Minor, D. 759 'Unfinished': II. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in B Minor, D. 759 'Unfinished': II. Andante con moto by Franz Schubert, Riccardo Muti, Wiener Philharmoniker is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheus In The Underworld (Orphée aux enfers): Can-Can - Live | Jacques Offenbach, Wiener Philharmoniker, Lorin Maazel | D Major | 6 | 10B | 172 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | A Major | 4 | 11B | 101 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第6曲 知りたがる男 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | B Major | 0 | 1B | 79 BPM | ||
Wilhelm Tell Galopp, Op. 29b | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 6 | 12B | 149 BPM | ||
An der Elbe, Walzer, Op. 477 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 1 | 6B | 89 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |