"The Seasons: IX. Finale (Prelude 1) - Live" by John Cage, Verbier Festival Chamber Orchestra, Michael Tilson Thomas was released on March 24, 2023. With The Seasons: IX. Finale (Prelude 1) - Live being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Verbier Festival Chamber Orchestra, Michael Tilson Thomas, Verbier Festival Orchestra, John Cage, Gustav Mahler's "Michael Tilson Thomas in Verbier (Live)" album is number 10 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Seasons: IX. Finale (Prelude 1) - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seasons: IX. Finale (Prelude 1) - Live by John Cage, Verbier Festival Chamber Orchestra, Michael Tilson Thomas to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Clarinet Quartet: IV. Abschied. Larghetto | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Ligeti : Hamburg Concerto : V Spectra | György Ligeti, Reinbert de Leeuw | E Major | 0 | 12B | 68 BPM | ||
Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | ||
Ligeti : Ramifications for 12 solo strings | György Ligeti, Reinbert de Leeuw, Asko Ensemble | A Major | 0 | 11B | 59 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
String Quartet No. 1, op. 20: 1. Allegro violento ed agitato | Alberto Ginastera, Latino Americano String Quartet | G Major | 4 | 9B | 167 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Valses nobles et sentimentales (version for orchestra): III. Modere | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 73 BPM |