On January 1, 2002, the song "The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A" was released by Morton Feldman, Ensemble Recherche. With The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Morton Feldman, Ensemble Recherche's "Morton Feldman: Something Wild - Music for Film" album is number 16 out of 33. On top of that, Austria appears to be the country where this track was created. Based on our statistics, The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A by Morton Feldman, Ensemble Recherche to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Obsolete Objects | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 162 BPM | ||
The Sinking of the Titanic: 3. Hymn II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 82 BPM | ||
Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
The Piano: Big My Secret | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 85 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM | ||
Phrygian Gates, Pt. 2 (A System of Weights and Measures) | John Adams | D Major | 0 | 10B | 55 BPM | ||
Ró | Anna Thorvaldsdottir, Caput Ensemble, Guðni Franzson | F Major | 0 | 7B | 153 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
For Bunita Marcus (1985): page 3 | Morton Feldman, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM |