"Rigoletto, Act I: Partite? Crudele!" by Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian was released on November 10, 2017. The duration of Rigoletto, Act I: Partite? Crudele! is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Rigoletto, Act I: Partite? Crudele!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Francesco Demuro, Andrea Mastroni, Constantine Orbelian. The song's track number on the album is #4 out of 40 tracks. Based on our data, United States was the country where this track was produced or recorded. Rigoletto, Act I: Partite? Crudele! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto, Act I: Partite? Crudele! by Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act I: Partite? Crudele! being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | ||
Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) | Giuseppe Verdi, Francesco Albanese, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI | C Major | 3 | 8B | 110 BPM | ||
I puritani: Act I: A te, o cara | Vincenzo Bellini, Viktorija Miškūnaitė, Liudas Mikalauskas, Andrius Apsega, Lawrence Brownlee, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A Major | 1 | 11B | 174 BPM | ||
Дороги | Dmitri Hvorostovsky | D Minor | 2 | 7A | 83 BPM | ||
Come raggio di sol (Arr. Reynolds) | Antonio Caldara, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 2 | 8A | 127 BPM | ||
Brockes Passion, HWV 48: Chi sprezzando | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Evening in the Harbor | Vasily Soloviev-Sedoy, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | D♭ Major | 2 | 3B | 97 BPM | ||
Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben? | Giuseppe Verdi, Walter Gullino, Plácido Domingo, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | A Major | 1 | 11B | 117 BPM | ||
Дорожка фронтовая | Dmitri Hvorostovsky | B♭ Minor | 4 | 3A | 119 BPM |