Vasily Soloviev-Sedoy, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra's 'Evening in the Harbor' came out on October 1, 2005. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dmitri Hvorostovsky's "Moscow Nights" album is number 14 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Evening in the Harbor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening in the Harbor by Vasily Soloviev-Sedoy, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.5 in G Minor, WoO 1 No.5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
Маленький принц (Из к / ф "пассажир с экватора") | Elena Kamburova, Mikael Tariverdiev | E Minor | 2 | 9A | 109 BPM | ||
Вариации на цыганские темы | Владимир Высоцкий, Инструментальный ансамбль «Мелодия» | G Minor | 4 | 6A | 106 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | E♭ Major | 2 | 5B | 86 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Agony Suite (Arr. F. Strobel): III. Tango | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Minor | 0 | 4A | 119 BPM | ||
Птица белая | Aida Garifullina | A♭ Major | 5 | 4B | 85 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Midnight In Moscow | Vasili (Pavlovich) Soloviev-Sedoy, Aida Garifullina, Osipov State Russian Folk Orchestra, Vitaly Gnutov | A Minor | 3 | 8A | 120 BPM |