Arthur Sullivan, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's 'The Mikado / Act 1: 3. A wand'ring minstrel I' came out on January 1, 1973. With this song being about 5 minutes long, at 4:30, "The Mikado / Act 1: 3. A wand'ring minstrel I" by Arthur Sullivan, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 4 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Mikado / Act 1: 3. A wand'ring minstrel I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Mikado / Act 1: 3. A wand'ring minstrel I by Arthur Sullivan, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 85 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè! ... Caro nome" | Giuseppe Verdi, Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 6 | 2B | 83 BPM | ||
I Cannot Tell What This Love May Be from "Patience" | Cynthia Glover, James Walker, Royal Philharmonic Orchestra | F Major | 2 | 7B | 90 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
28. The criminal cried as he dropp'd him down | Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 1 | 12B | 69 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 1 | 9B | 172 BPM |