"Gloria in Excelsis Deo: Et in terra pax" by George Frideric Handel, Gillian Keith, English Baroque Soloists, John Eliot Gardiner was released on August 31, 2001. The duration of Gloria in Excelsis Deo: Et in terra pax is about 3 minutes long, at 3:09. Based on our data, "Gloria in Excelsis Deo: Et in terra pax" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Gloria / Handel: Dixit Dominus by The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. The song's track number on the album is #13 out of 27 tracks. In terms of popularity, Gloria in Excelsis Deo: Et in terra pax is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria in Excelsis Deo: Et in terra pax by George Frideric Handel, Gillian Keith, English Baroque Soloists, John Eliot Gardiner has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gloria in Excelsis Deo: Et in terra pax being at 104 テンポ, the half-time would be 52 テンポ with a double-time of 208 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
From Samson (Act I): Sinfonia, HWV 57: II. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Trio Sonata in C Major, HWV 403 "Saul": IV. Allegro | George Frideric Handel, The Brook Street Band | B Major | 3 | 1B | 93 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM |