Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski's 'Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso' came out on January 1, 1998. The duration of Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski's "Mondonville: 6 Sonates Op.3" album is number 11 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso by Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Ariodante HWV 33 / Act 1: "Si godete al vostro amor" - Live | George Frideric Handel, Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | E Major | 3 | 12B | 179 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Chaconne de l'amour Médecin, LWV 29 (1665) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 1 | 7B | 90 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 104 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 5 in D Major: III. Largo | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | F♯ Minor | 3 | 11A | 101 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: II. Allegro maestoso | Luigi Boccherini, Cuarteto Casals, Carles Trepat | A Major | 1 | 11B | 141 BPM |