Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi made "Al fragor di lieta tromba, Sinfonia: I. Allegrissimo" available on November 23, 2018. With Al fragor di lieta tromba, Sinfonia: I. Allegrissimo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 50 in Alessandro Scarlatti: Serenate by Alessandro Scarlatti, Various Artists, Estevan Velardi, Alessandro Stradella Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Al fragor di lieta tromba, Sinfonia: I. Allegrissimo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Al fragor di lieta tromba, Sinfonia: I. Allegrissimo by Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Giustino, RV 717, Act II: Flavia, non ho più core | Antonio Vivaldi, Linda Campanella, Cristiana Emoli, Alessandro Stradella Consort, Estevan Velardi | F♯ Major | 0 | 2B | 75 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Sonata No. 3 in B Minor, "The Nativity": III. Double | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | B♭ Minor | 3 | 3A | 159 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: II. Allegro | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Nella stagione appunto, H. 458: Sinfonia. Adagio - Allegro - Adagio | Alessandro Scarlatti, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Frank Theuns, Les Muffatti | E♭ Minor | 7 | 2A | 128 BPM |