Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame made "Sonata No. 3 in B Minor, "The Nativity": III. Double" available on March 24, 2023. With Sonata No. 3 in B Minor, "The Nativity": III. Double being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 47 in Biber: The Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Sonata No. 3 in B Minor, "The Nativity": III. Double's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata No. 3 in B Minor, "The Nativity": III. Double by Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame is Vivace (lively and fast), since this song has a tempo of 159 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 2b in D Minor, Op. 1, No. 1b, HWV 359b: III. Adagio | George Frideric Handel, György Pauk, Mária Frank, Janos Sebestyen | A Major | 3 | 11B | 113 BPM | ||
Premiere suite in D Minor: No. 3, La mignonne | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 141 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: III. Larghetto | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Mensa sonora / PARS II (In F Major): 3. Sarabanda (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 100 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |