"Rhapsody on a Theme of Paganini, Op. 43: Introduction: Variations I-X" by Sergei Rachmaninoff, Jean-Yves Thibaudet, Cleveland Orchestra, Vladimir Ashkenazy was released on January 1, 1998. Rhapsody on a Theme of Paganini, Op. 43: Introduction: Variations I-X is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. This song is part of Warsaw Concerto - romantic piano classics from the silver screen by Jean-Yves Thibaudet, Cleveland Orchestra, Vladimir Ashkenazy, BBC Symphony Orchestra, Hugh Wolff. The song's track number on the album is #3 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Rhapsody on a Theme of Paganini, Op. 43: Introduction: Variations I-X is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rhapsody on a Theme of Paganini, Op. 43: Introduction: Variations I-X by Sergei Rachmaninoff, Jean-Yves Thibaudet, Cleveland Orchestra, Vladimir Ashkenazy has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rhapsody on a Theme of Paganini, Op. 43: Introduction: Variations I-X being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM |