"Eli, Eli" by Gyorgy Deak-Bardos, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 19 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Eli, Eli's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eli, Eli by Gyorgy Deak-Bardos, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
Eli, Eli | Gyorgy Deak-Bardos, Cantabile Chorus, Pauli í Sandagerði | G Minor | 0 | 6A | 91 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Minor | 1 | 6A | 121 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM |