Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko made "Le Carnaval du Parnasse: Ouverture" available on April 12, 2024. The duration of Le Carnaval du Parnasse: Ouverture is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Le Carnaval du Parnasse: Ouverture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Alexis Kossenko, Hélène Guilmette, Mathias Vidal, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Gwendoline Blondeel's "Mondonville: Le Carnaval du Parnasse" album is number 1 out of 77. Based on our statistics, Le Carnaval du Parnasse: Ouverture's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le Carnaval du Parnasse: Ouverture by Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No.6 (Six Sonates en symphonies op. 3): 2a) Larghetto | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 0 | 3B | 136 BPM | ||
Purcell: The Fairy Queen, Z. 629: First Music. Prelude | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Mondonville: Titon et l'Aurore, Op. 7, Act 1, Scene 1: "Que l'Aurore tarde à paraître" (Titon, L'Aurore) | Jean-Joseph Cassanéa De Mondonville, Marc Minkowski, Les Musiciens du Louvre, Catherine Napoli, Jean-Paul Fouchécourt | C Major | 1 | 8B | 97 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Suite in C Minor: III. Borre | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Le Carnaval du Parnasse, Act II Scene 2: Récit. Un désir curieux près d’Apollon m’attire (Momus, Licoris) | Jean-Joseph Cassanéa De Mondonville, David Witczak, Hélène Guilmette, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Les Indes galantes, RCT 44, Prologue: Ouverture | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Te deum, LWV 55: XV. In te, Domine, speravi | Jean-Baptiste Lully, Stephane Fuget, Les Épopées | B♭ Major | 6 | 6B | 94 BPM | ||
Ayres for the Violin, books 1 & 4: Ground after the Scotch humour | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM |