Arthur Fiedler's 'Carmen Ballet: Second Intermezzo' came out on 1970. With Carmen Ballet: Second Intermezzo being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 27 in Carmen Ballet, Carnaval Overture, Incidental Music To "Hamlet" by Arthur Fiedler. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Carmen Ballet: Second Intermezzo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Ballet: Second Intermezzo by Arthur Fiedler is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Napoli: Act III: Pas de six: Second Lady's solo: Allegretto | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 1 | 9B | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Danse Macabre | Camille Saint-Saëns, Arthur Fiedler | C Minor | 3 | 5A | 113 BPM | ||
Pops Roundup | Arthur Fiedler | G Major | 4 | 9B | 130 BPM | ||
Gaîté parisienne: No. 9: Valse | Jacques Offenbach, Arthur Fiedler | D Major | 2 | 10B | 101 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM |